A Better World

Revelation 21

3 I heard a loud voice from the throne say, “See, the tent of God is among humans! He will make his home with them, and they will be his people. God himself will be with them, and he will be their God. 4 He will wipe every tear from their eyes. There won’t be death anymore. There won’t be any grief, crying, or pain, because the first things have disappeared.”See the source image

I came across this song by The Melbourne Veterans Band a while ago and have always thought what a great testimony. You notice in the first half of verses everything refers to our ‘Earthly World’ and the second half he refers to ‘a Better World’ where men are saved to God and eternity

Unfortunately I have been unable to get the words of the song

Praying Hands

Acts 9:40 But Peter put them all outside, and knelt down and prayed; and turning to the body he said, “Tabitha, arise.” And she opened her eyes, and when she saw Peter she sat up.

Praying hands (GermanBetende Hände), also known as Study of the Hands of an Apostle (Studie zu den Händen eines Apostels), is a pen-and-ink drawing by the German printmaker, painter and theorist Albrecht Dürer. The work is today stored at the Albertina museum in Vienna, Austria. Dürer created the drawing using the technique of white heightening and black ink on (self-made) blue colored paper. The drawing shows a close up of two male hands clasped together praying. Also, the partly rolled up sleeves are seen.

The drawing is a sketch (study) for hands of an apostles who was planned to occupy the central panel of the triptych in installed in Frankfurt titled the Heller Altarpiece, which was later destroyed by a fire in 1729.[1] The sketched hands appear on the triptych on the right side of the central panel, and although the detail appears very similar, it is smaller in size in the triptych.Betende Hände

The drawing also once contained a sketch of the apostle’s head, but the sheet with the head has been separated from it. Overall, Dürer made 18 sketches for the altarpiece.[2] The first public recognition of the artwork was in 1871 when it was exhibited in Vienna, and the image is thought probably to depict Dürer’s own hands