Matthew 7 New International Version
Ask, Seek, Knock
7 “Ask and it will be given to you; seek and you will find; knock and the door will be opened to you. 8 For everyone who asks receives; the one who seeks finds; and to the one who knocks, the door will be opened.
9 “Which of you, if your son asks for bread, will give him a stone? 10 Or if he asks for a fish, will give him a snake? 11 If you, then, though you are evil, know how to give good gifts to your children, how much more will your Father in heaven give good gifts to those who ask him! 12 So in everything, do to others what you would have them do to you, for this sums up the Law and the Prophets.
Acts 9:40 But Peter put them all outside, and knelt down and prayed; and turning to the body he said, “Tabitha, arise.” And she opened her eyes, and when she saw Peter she sat up.
Praying hands (German: Betende Hände), also known as Study of the Hands of an Apostle (Studie zu den Händen eines Apostels), is a pen-and-ink drawing by the German printmaker, painter and theorist Albrecht Dürer. The work is today stored at the Albertina museum in Vienna, Austria. Dürer created the drawing using the technique of white heightening and black ink on (self-made) blue colored paper. The drawing shows a close up of two male hands clasped together praying. Also, the partly rolled up sleeves are seen.
The drawing is a sketch (study) for hands of an apostles who was planned to occupy the central panel of the triptych in installed in Frankfurt titled the Heller Altarpiece, which was later destroyed by a fire in 1729. The sketched hands appear on the triptych on the right side of the central panel, and although the detail appears very similar, it is smaller in size in the triptych.
The drawing also once contained a sketch of the apostle’s head, but the sheet with the head has been separated from it. Overall, Dürer made 18 sketches for the altarpiece. The first public recognition of the artwork was in 1871 when it was exhibited in Vienna, and the image is thought probably to depict Dürer’s own hands