Healing

Story behind Silently now I wait for thee,

Kenneth7 Comments

Clara H. Scott (1841-1897) provides us with a hymn of consecration that has been sung for over 100 years. A Midwesterner, she was born in Illinois and died in Iowa.

In 1856, Scott attended the first Music Institute held by C.M. Cady in Chicago, Ill. By 1859, she was teaching music at the Ladies’ Seminary, Lyons, Iowa. She married Henry Clay Scott in 1861, and published in 1882 the Royal Anthem Book, the first volume of choir anthems published by a woman.

Horatio R. Palmer, an influential church musician in Chicago and later New York City, was a source of encouragement for Scott, and helped her publish many of her songs. Three collections were issued before her untimely death, when a runaway horse caused a buggy accident in Dubuque, Iowa.

The text of “Open My Eyes” was written in 1895 shortly before Scott’s death. Each stanza reveals an increasing receptiveness to the “Spirit divine.” Open eyes lead to “glimpses of truth.” Open ears lead to “voices of truth.” An open mouth leads to sharing the “warm truth everywhere.” An open heart leads to sharing “love to thy children.”

The image of open eyes is common in the Bible. In some cases, this is a sign of Christ’s healing power, as when Jesus gave sight to the blind man at the pool of Siloam in John 9. Closed eyes, on the other hand, could be a metaphor for avoiding the truth as in the case of John 12:40, a passage following the triumphal entry of Christ into Jerusalem and beginning his journey to the cross: “He hath blinded their eyes, and hardened their heart; that they should not see with their eyes, nor understand with their heart, and be converted, and I should heal them.”

The image of open ears is also significant in the biblical witness. Matthew often reprises the theme “Who hath ears to hear, let him hear.” Closed ears become a metaphor for a lack of understanding: “For this people’s heart is waxed gross, and their ears are dull of hearing, and their eyes they have closed; lest at any time they should see with their eyes, and hear with their ears, and should understand with their heart, and should be converted, and I should heal them” (Matthew 13:15).

While the eyes and the ears are receptive organs, the mouth has the capacity to project. The mouth may project “cursing and deceit and fraud” (Psalm 10:7), or it may be an organ that projects praise, as Psalm 51:15 exhorts us: “O Lord, open thou my lips; and my mouth shall show forth thy praise.”

The heart is the only organ included in this hymn that is not visible. It may harbor deceit. Jesus asks in Matthew 9:4, “Wherefore think ye evil in your hearts?” But Jesus also realized that the heart has the capacity for purity: “Blessed are the pure in heart: for they shall see God” (Matthew 5:8).

Scott has given us not only a list of organs through which we may receive and project truth and love, but also provides the method in her refrain:

Silently now I wait for thee,
ready my God, thy will to see.
Open my eyes, ears, and heart,
illumine me, Spirit divine!

Learning to use these organs requires patience and reflection. The gentle 6/8 meter of Scott’s music provides a subtle sense of dancing in tune with the Spirit as we learn to see, hear and speak the truth from our hearts.

God’s Healing Powers

KennethLeave a comment

Image result for God restores health

Jeremiah 30 New International Version

Restoration of Israel

30 This is the word that came to Jeremiah from the Lord: 2 “This is what the Lord, the God of Israel, says: ‘Write in a book all the words I have spoken to you. 3 The days are coming,’ declares the Lord, ‘when I will bring my people Israel and Judah back from captivity[a] and restore them to the land I gave their ancestors to possess,’ says the Lord.”

4 These are the words the Lord spoke concerning Israel and Judah:

And moving to verses 12 – 17

12 “This is what the Lord says:

“‘Your wound is incurable,
    your injury beyond healing.
13 There is no one to plead your cause,
    no remedy for your sore,
    no healing for you.
14 All your allies have forgotten you;
    they care nothing for you.
I have struck you as an enemy would
    and punished you as would the cruel,
because your guilt is so great
    and your sins so many.
15 Why do you cry out over your wound,
    your pain that has no cure?
Because of your great guilt and many sins
    I have done these things to you.

16 “‘But all who devour you will be devoured;
    all your enemies will go into exile.
Those who plunder you will be plundered;
    all who make spoil of you I will despoil.
17 But I will restore you to health
    and heal your wounds,’
declares the Lord,
‘because you are called an outcast,
    Zion for whom no one cares.’

I actually came across this video whilst looking for another one for today and thought it fits in perfectly with verse 17.

Fasting

KennethLeave a comment

Isaiah 58 New International Version

Photo by Caleb Oquendo on Pexels.com

True Fasting

58 “Shout it aloud, do not hold back.
    Raise your voice like a trumpet.
Declare to my people their rebellion
    and to the descendants of Jacob their sins.
2 For day after day they seek me out;
    they seem eager to know my ways,
as if they were a nation that does what is right
    and has not forsaken the commands of its God.
They ask me for just decisions
    and seem eager for God to come near them.
3 ‘Why have we fasted,’ they say,
    ‘and you have not seen it?
Why have we humbled ourselves,
    and you have not noticed?’

“Yet on the day of your fasting, you do as you please
    and exploit all your workers.
4 Your fasting ends in quarreling and strife,
    and in striking each other with wicked fists.
You cannot fast as you do today
    and expect your voice to be heard on high.
5 Is this the kind of fast I have chosen,
    only a day for people to humble themselves?
Is it only for bowing one’s head like a reed
    and for lying in sackcloth and ashes?
Is that what you call a fast,
    a day acceptable to the Lord?

6 “Is not this the kind of fasting I have chosen:
to loose the chains of injustice
    and untie the cords of the yoke,
to set the oppressed free
    and break every yoke?
7 Is it not to share your food with the hungry
    and to provide the poor wanderer with shelter—
when you see the naked, to clothe them,
    and not to turn away from your own flesh and blood?
8 Then your light will break forth like the dawn,
    and your healing will quickly appear;
then your righteousness[a] will go before you,
    and the glory of the Lord will be your rear guard.
9 Then you will call, and the Lord will answer;
    you will cry for help, and he will say: Here am I.

“If you do away with the yoke of oppression,
    with the pointing finger and malicious talk,
10 and if you spend yourselves in behalf of the hungry
    and satisfy the needs of the oppressed,
then your light will rise in the darkness,
    and your night will become like the noonday.
11 The Lord will guide you always;
    he will satisfy your needs in a sun-scorched land
    and will strengthen your frame.
You will be like a well-watered garden,
    like a spring whose waters never fail.
12 Your people will rebuild the ancient ruins
    and will raise up the age-old foundations;
you will be called Repairer of Broken Walls,
    Restorer of Streets with Dwellings.

13 “If you keep your feet from breaking the Sabbath
    and from doing as you please on my holy day,
if you call the Sabbath a delight
    and the Lord’s holy day honourable,
and if you honour it by not going your own way
    and not doing as you please or speaking idle words,
14 then you will find your joy in the Lord,
    and I will cause you to ride in triumph on the heights of the land
    and to feast on the inheritance of your father Jacob.”
For the mouth of the Lord has spoken.

Waiting for God

Kenneth2 Comments

Clara H. Scott (1841-1897) provides us with a hymn of consecration that has been sung for over 100 years. A Midwesterner, she was born in Illinois and died in Iowa.

In 1856, Scott attended the first Music Institute held by C.M. Cady in Chicago, Ill. By 1859, she was teaching music at the Ladies’ Seminary, Lyons, Iowa. She married Henry Clay Scott in 1861, and published in 1882 the Royal Anthem Book, the first volume of choir anthems published by a woman.

Horatio R. Palmer, an influential church musician in Chicago and later New York City, was a source of encouragement for Scott, and helped her publish many of her songs. Three collections were issued before her untimely death, when a runaway horse caused a buggy accident in Dubuque, Iowa.

The text of “Open My Eyes” was written in 1895 shortly before Scott’s death. Each stanza reveals an increasing receptiveness to the “Spirit divine.” Open eyes lead to “glimpses of truth.” Open ears lead to “voices of truth.” An open mouth leads to sharing the “warm truth everywhere.” An open heart leads to sharing “love to thy children.”

The image of open eyes is common in the Bible. In some cases, this is a sign of Christ’s healing power, as when Jesus gave sight to the blind man at the pool of Siloam in John 9. Closed eyes, on the other hand, could be a metaphor for avoiding the truth as in the case of John 12:40, a passage following the triumphal entry of Christ into Jerusalem and beginning his journey to the cross: “He hath blinded their eyes, and hardened their heart; that they should not see with their eyes, nor understand with their heart, and be converted, and I should heal them.”

The image of open ears is also significant in the biblical witness. Matthew often reprises the theme “Who hath ears to hear, let him hear.” Closed ears become a metaphor for a lack of understanding: “For this people’s heart is waxed gross, and their ears are dull of hearing, and their eyes they have closed; lest at any time they should see with their eyes, and hear with their ears, and should understand with their heart, and should be converted, and I should heal them” (Matthew 13:15).

While the eyes and the ears are receptive organs, the mouth has the capacity to project. The mouth may project “cursing and deceit and fraud” (Psalm 10:7), or it may be an organ that projects praise, as Psalm 51:15 exhorts us: “O Lord, open thou my lips; and my mouth shall show forth thy praise.”

The heart is the only organ included in this hymn that is not visible. It may harbor deceit. Jesus asks in Matthew 9:4, “Wherefore think ye evil in your hearts?” But Jesus also realized that the heart has the capacity for purity: “Blessed are the pure in heart: for they shall see God” (Matthew 5:8).

Scott has given us not only a list of organs through which we may receive and project truth and love, but also provides the method in her refrain:

Silently now I wait for thee,
ready my God, thy will to see.
Open my eyes,
illumine me, Spirit divine!

Learning to use these organs requires patience and reflection. The gentle 6/8 meter of Scott’s music provides a subtle sense of dancing in tune with the Spirit as we learn to see, hear and speak the truth from our hearts.